Over the years, Mon Laferte has continued to share her works in exhibitions and on social media, establishing herself as a visual artist with a unique style and a critical perspective on society. In this context, the singer will participate in Zona Maco, the largest art fair platform in Latin America, with Aninat Gallery from February 5 to 9.
"I will be exhibiting at Zona Maco with Aninat Gallery from February 5 to 9," Mon Laferte announced on her social networks. Zona Maco, founded by Zélika García in 2002, brings together four simultaneous fairs: Contemporary Art, Design, Antiques Fair, and Photo, offering collectors and visitors the opportunity to explore diverse artistic categories in one place.
Aninat Gallery's participation in Zona Maco emphasizes its commitment to promoting critical artistic discourses that challenge global power structures and reaffirm art as a space for dissent and reflection.
Mon Laferte's exhibition will take place from February 5 to 9 at Centro Citibanamex, where visitors can appreciate her expressive, symbolic artistic style. Her works address themes such as feminism, identity, and human emotions, reflecting her vision of female empowerment.
In 2020, Mon Laferte held her first solo exhibition, Gestures, at the Museum of the City of Mexico, presenting a series of self-portraits that explored the female body and empowerment. Her art has also been part of her albums, as in "Seis" (2021), where she designed the cover.
In addition to her career as a recognized singer and songwriter, Mon Laferte has developed an important facet as a painter, rekindling her interest in painting in the last decade. After her time in Valparaíso, Chile, the artist returns to Mexico with a special exhibition that promises to showcase her artistic evolution and commitment to social critique.
The cost of admission to Art Week is 450 pesos, providing attendees the opportunity to immerse themselves in the work of artists like Mon Laferte and explore the various artistic proposals presented at this highlighted event.
